I simply hate a day of the highest highs followed by the lowest of lows.
This week has been grueling, but with a big theater competition on Saturday, that is to be expected. First: a little background. This is a one-act play festival, in short you have up to 40 minutes to perform a non musical play and then have some people write up a critique, and choose some winners to advance. Out of 8 schools, 3 are chosen to go on, however, that is taking place at about 14 places at the same time. I know: confusing. But intense. We call it "Varsity Drama".
So: we are doing this GREAT little comedy, called Removing the Glove, which is an allegory for coming out of the closet. But instead of anyone being GAY, being left handed is what is being talked about.
Today we "previewed" the show for the entire school...which can be a tricky proposition as you never know how the "general public" which is NOT neccessarily a FAN of ANY kind of theater will react. Well, they loved it. My students heard nothing but wonderful comments all day.
THEN, it's time to go to the school at which we will compete on Saturday. We are given an HOUR to use their space: which much include placing and marking where our set pieces need to go, learning their sound system, learning their light system, and figuring out how to utilize all those things. Not an easy feat in 60 minutes under the best of circumstances.
Now: the lights are suppose to be set to that there are six separate distinct areas that can be lit up all at once or individually. THIS is how my entire play is designed. (Note: that's the MINIMUM of lighting capabilities they are suppose to provide us with.) Did I mention that my show is DESIGNED ENTIRELY around this capacity? It is. So we get there 10 minutes late: because OUR bus forgot to pick up up. (even though we confirmed yesterday). So...we go to begin our tech rehearsal and there ARE NO LIGHTS SET UP IN ANY WAY. They are either ON or they are OFF. And there is NOTHING they will do about it. NOTHING. They start arguing with me that they didn't HAVE to have anything like 6 areas because we didn't ASK for it. Of course we didn't ask for it: cuz it's suppose to be a freaking GIVEN!!!!!!!!!!!!!
NOW...we have to use spot lights to TRY to isolate the areas. Spotlights do NOT work the same way stage lights to. They are blaring, stage lights can be sublte. Spotlights are either on or off, stage lights operate in variation and degree. NOT the same thing at all. Not even close.
We have to now rehearse these changes when we were NOT suppose to REALLY be having a rehearsal to practice this. AND...it suppose to snow tomorrow, sothey could cancel after school activites tomorrow meaning no freaking rehearsal.
I am dying. My kids don't deserve this. AT ALL. Life sucks.
Just my random thoughts about my professional and theater related life. Probably only interesting to ME...but knock yourselves out!
Thursday, February 28, 2008
Saturday, February 23, 2008
A few NY jaunts to talk about...
1. Has anyone else noticed that I'm not really talking about BEING a drama teacher. I don't kinow what I'm thinking. I don't even know if anyone is reading this besides me. Who the hell knows what this will turn into.
2. I hit Manhattan 2x this month...both for fun and frivolity
No more numbers. Numbers are too orderly and I'd rather ramble.
Back on Feb 9th and 10 I hit Manhattan for a fun girls weekend. Saturday night we hit Forbidden Broadway. It was cute...but I won't be running back to see future additions. Much of what they did was clever, but fluff. (For those unfamiliar with FB: they pretty much spoof all the current and successful b'way musicals) My two favorite seqences were the the Les Mis spoof...which I'm guessing they pulled out from the previous run and the Spring Awakening "dis". THAT was truly hysterical...but perhaps because I am such a fan of SA.
Later that night we hit the Laure Beecham Theatre housed in the West Bank Cafe. This is the second time I've ventured there and haven't been dissappointed. The first was for a Joe Iconis "Rock and Roll Jamboree" and then here for another late night b'way style caberet/piano bar type of gig. Annie Golden was there both nights and she is simply adorable (which isn't a great word when you are of the age that she and I are...but you can't get around it.) Joe Iconis was there too. I like Joe, he is an up and coming composer, lyricist and a truly great guy.
On Sunday, I had the most amazing experience...which reverted me to a 16 year old girl...in a good way. In addition to having stage seats for both the matinee AND the evening shows of (my obsession) Spring Awakening, my friend had somehow gotten us invited to a meet and greet event with the cast in between the two.
Granted, the begining was a bit awkward, but it was so much fun. Most of the cast was there, and many of them hung out the entire time with us. It was rather like going to a party where you didn't know too many people. If you were willing to find something to talk to them about you had a great time. Well, I did anyway. I am not one to gush over actors (normally) and I am certainly NOT the stage door type. Instead of just telling them how wonderful they are (and they are) I tried to engage actual conversations.
I resorted to talking about my BEING a drama teacher and how my students were wicked jealous of my being there. This led to some great conversations with the cast about WHAT I was directing, what musical I last did. (They were pretty impressed that we had recently done Urinetown and that I was currently directing a show about coming out of the closet) That garnered me a kiss from Blake Bashoff...for the camera...but still! BLAKE BASHOFF. (for those of you that don't know him: he is the current "Moritz" in Spring Awakening and never ceases to amaze me with his performnace, but he is also on LOST as Karl. ) Most of the cast were really nice and personable and as much as I'd like to THINK that I made an impression, I'm guessing they wouldn't know me from a hole in the wall should I run into them. (Well, that's a sad thought.)
2. I hit Manhattan 2x this month...both for fun and frivolity
No more numbers. Numbers are too orderly and I'd rather ramble.
Back on Feb 9th and 10 I hit Manhattan for a fun girls weekend. Saturday night we hit Forbidden Broadway. It was cute...but I won't be running back to see future additions. Much of what they did was clever, but fluff. (For those unfamiliar with FB: they pretty much spoof all the current and successful b'way musicals) My two favorite seqences were the the Les Mis spoof...which I'm guessing they pulled out from the previous run and the Spring Awakening "dis". THAT was truly hysterical...but perhaps because I am such a fan of SA.
Later that night we hit the Laure Beecham Theatre housed in the West Bank Cafe. This is the second time I've ventured there and haven't been dissappointed. The first was for a Joe Iconis "Rock and Roll Jamboree" and then here for another late night b'way style caberet/piano bar type of gig. Annie Golden was there both nights and she is simply adorable (which isn't a great word when you are of the age that she and I are...but you can't get around it.) Joe Iconis was there too. I like Joe, he is an up and coming composer, lyricist and a truly great guy.
On Sunday, I had the most amazing experience...which reverted me to a 16 year old girl...in a good way. In addition to having stage seats for both the matinee AND the evening shows of (my obsession) Spring Awakening, my friend had somehow gotten us invited to a meet and greet event with the cast in between the two.
Granted, the begining was a bit awkward, but it was so much fun. Most of the cast was there, and many of them hung out the entire time with us. It was rather like going to a party where you didn't know too many people. If you were willing to find something to talk to them about you had a great time. Well, I did anyway. I am not one to gush over actors (normally) and I am certainly NOT the stage door type. Instead of just telling them how wonderful they are (and they are) I tried to engage actual conversations.
I resorted to talking about my BEING a drama teacher and how my students were wicked jealous of my being there. This led to some great conversations with the cast about WHAT I was directing, what musical I last did. (They were pretty impressed that we had recently done Urinetown and that I was currently directing a show about coming out of the closet) That garnered me a kiss from Blake Bashoff...for the camera...but still! BLAKE BASHOFF. (for those of you that don't know him: he is the current "Moritz" in Spring Awakening and never ceases to amaze me with his performnace, but he is also on LOST as Karl. ) Most of the cast were really nice and personable and as much as I'd like to THINK that I made an impression, I'm guessing they wouldn't know me from a hole in the wall should I run into them. (Well, that's a sad thought.)
But the truly neat thing -- did I just say 'neat'? I hang my head in shame. The truly fabulous thing was watching the evening show afterwards. Some of the cast had made some, er, ummm promises about the performance and lived up to them. Being personally "serenaded" during a B'way show is something that must be experienced. Remember, I was onstage that night, so it was a heavenly experience. I won't go into details, but it was exhilarating. We ended up waiting for the cast at the stage door, which is a different experience in itself. I am not one that usually goes in for stage dooring, but it was fun....it was amazing how much MORE gracious they were having spent the afternoon together. I think that show was my favorite one of all time. I mentioned to Blake how incredible the show had been that night and his reply made a lot of sense. He said that since they have the next day off, they seem to pour whatever they have left into it. It's Groff's favorite show.
I am done FanGirling.
This past week I took my own children into Manhattan for one of our 3 trips in as a family. We took in Little Mermaid: which I do NOT RECCOMMEND. And an off B'way play called: JUMP! which I wholeheartedly DO reccomend. (but is now closed.)
LM was simply resting on its laurels assuming it was wonderful and that because it had outrageous costumes and "heelies" that the audience would forgive. Well, I didnt'. I was bored. Truly. I have no problem with spectacle, but make sure you can back it up.
I even ventured to bring my kids to the MoMA for the first time. It went pretty well and they seemed to enjoy it...mostly.
Well, hell week is coming up for our production going into competition production this week. Think of us all.
Labels:
Blake Bashoff,
drama,
Spring Awakening,
theater
Friday, February 1, 2008
My obsession
They say the first step in finding a solution is admitting you have a problem. Here goes: I go to NYC to see Broadway shows WAY TOO OFTEN!!!! It seems like everytime my ex takes the kids I'm heading to the Great White Way to spend gads of money on theater. It's not REALLY a complaint, but I need a life. Yes, theater is extremely important to me, and it does touch my soul, but is it keeping me from other stuff, that truly defines "a life"?
Well, I've always threatened to do this!
I cannot believe that I'm doing this. Not that I expect anyone to read it or anything. I'm not sure WHY I'm doing this. Perhaps for myself, perhaps for ...posterity? Who knows? Will I even keep up with it? Probably not. I never have before. But someone suggested trying it and I think I will.
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